Showing posts tagged poetry

A House Divided

On a railroad car in your America,
I made the acquaintance of a man
who sang a life-song with these lyrics:
“Do whatever you can/ to avoid
becoming a roofing man.”
I think maybe you’d deem his tenor
elitist, or you’d hear him as falling
off working-class key. He sang
not from his heart but his pulsing
imagination, where every roof is
sloped like a spire and Sequoia tall.
Who would wish for themselves, another,
such a treacherous climb? In your America,
a clay-colored colt stomps, its hooves
cursing the barn’s chronic lean.
In your America, blood pulses
within the fields, slow-poaching a mill saw’s
buried flesh. In my America, my father
awakens again thankful that my face
is not the face returning his glare
from above eleven o’clock news
murder headlines. In his imagination,
the odds are just as convincing
that I would be posted on a corner
pushing powder instead of poems—
no reflection of him as a father nor me
as a son. We were merely born
in a city where the rues beyond our doors
were the streets that shanghaied souls.
To you, my America appears
distant, if even real at all. While you are
barely visible to me. Yet we continue
stealing glances at each other
from across the tattered hallways
of this overgrown house we call
a nation—every minute
a new wall erected, a bedroom added
beneath its leaking canopy of dreams.
We hear the dripping, we feel drafts
wrap cold fingers about our necks,
but neither you or I trust each other
to hold the ladder or to ascend.

Kyle Dargan

Batty  by Shel Silverstein

Batty  by Shel Silverstein

(Source: livelikeahouseinahurricane)

(Reblogged from leonsioananda)

A Writer Friend of Mine Asked Me Why I Loved the Jungle So Much So I Wrote Him This Poem

by Paxon Kale

somewhere along the napo river of ecuador…

climbing to a tower above the tops of trees
(to watch unrepentant toucans)
and the small shiny black bees
lick the fluid from your eyes 
with their rough tongues
see
there is no way to know this place 
without pain
every accidental foot fall 
leads to tearing something from yourself
bits and pits of skin from the spits of needles
of palm trunks and
the vicious pointing lines of caterpillars 
urticating hairs 
they take payment
the heat a blanket encompassing smothering
comforting
your tired dragging lungs (and scratchy droplets
rasping rasping drops every step
in air that doesn’t concern itself with your passage)
because the green of every eyefull makes you love
every pain
(because… how many of THEM know this with you?)

The rusty fur of those growltiger diesel engine hell fire monkeys
when you least expect
if it didnt scare the shit out of you
its not doing its job
is it?
and that’s why
i love this place
because i love who i am when i’m in it
when i’m devoured by it
cant separate myself from its body anymore
also because and why
i have licked with my wet eyes the countless silky
brown skins
of one single smirking jungle boy
THAT brown only exists here
and it fucking owns me the way
the rot and mulch of the bed here rasp rasp your nostrils the earth
the ground does own

maybe i say every day when i wake up HERE
maybe THIS isn’t real, any of it
since…
and THAT’s where i live and sleep and toss in the
mulch
asleep and
its real its real its real its real its real
i swear to god its real
this place is the dream then
i will wake up there in the embrace of pain
that is the only
true love

you know… the jungle.

somewhere.
……………………………………………………………………
photo: Phil P. Harris

The Facebook Sonnet

Welcome to the endless high-school
Reunion. Welcome to past friends
And lovers, however kind or cruel.
Let’s undervalue and unmend

The present. Why can’t we pretend
Every stage of life is the same?
Let’s exhume, resume and extend
Childhood. Let’s all play the games

That preoccupy the young. Let fame
And shame intertwine. Let one’s search
For God become public domain.
Let church.com become our church.

Let’s sign up, sign in and confess
Here at the altar of loneliness.

- Sherman Alexie

Song of the Barren Orange Tree 

Woodcutter,
Cut my shadow from me.
Free me from the torment
of seeing myself without fruit.

Why was I born among mirrors?
The day walks in circles around me,
and the night copies me
in all its stars.

I want to live without seeing myself.
And I will dream that ants
and thistleburrs are my
leaves and my birds

Woodcutter.
Cut my shadow from me.
Free me from the torment
of seeing myself without fruit.

-

Federico Garcia Lorca

(Reblogged from annmarcaida)
(Reblogged from annmarcaida)
(Reblogged from annmarcaida)
(Reblogged from annmarcaida)

Litany at the Tomb of Frederick Douglass

by Martin Espada

 

Mount Hope Cemetery, Rochester, New York

November 7, 2008

 

This is the longitude and latitude of the impossible;

this is the epicenter of the unthinkable;

this is the crossroads of the unimaginable:

the tomb of Frederick Douglass, three days after the election.   

 

This is a world spinning away from the gravity of centuries,

where the grave of a fugitive slave has become an altar.

This is the tomb of a man born as chattel, who taught himself to read in secret,

scraping the letters in his name with chalk on wood; now on the anvil-flat stone

a campaign button fills the O in Douglass. The button says: Obama.

This is the tomb of a man in chains, who left his fingerprints

on the slavebreaker’s throat so the whip would never carve his back again;

now a labor union T-shirt drapes itself across the stone, offered up

by a nurse, a janitor, a bus driver. A sticker on the sleeve says: I Voted Today.

This is the tomb of a man who rolled his call to arms off the press,

peering through spectacles at the abolitionist headline; now a newspaper

spreads above his dates of birth and death. The headline says: Obama Wins.

 

This is the stillness at the heart of the storm that began in the body 

of the first slave, dragged aboard the first ship to America. Yellow leaves

descend in waves, and the newspaper flutters on the tomb, like the sails

Douglass saw in the bay, like the eyes of a slave closing to watch himself

escape with the tide. Believers in spirits would see the pages trembling

on the stone and say: look how the slave boy teaches himself to read. 

I say a prayer, the first in years: that here we bury what we call

the impossible, the unthinkable, the unimaginable, now and forever. Amen.

 

- From The Trouble Ball

(http://martinespada.net)

general feelings about space

if it gets out of my head
its gone forever
i live on it like a flea 

i was listening to the music of

toads screaming fear from a swamp
a chicken gutting an earthworm in a field
with patafores
your dead babies still in the womb

the music
repetition
ascending patterns of
rhythm guitars massive drum kits vibraphones
building upon

100
1 000
10 000
1 000 000
1 000 000 000

(its important to read every digit in this case)

i tried to tell you i love you but
i bit my fist and the blood filled my mouth and made me mute
and it filled my skull
with 1000 liquid teeth that
filled my eyes
and constant building pressure
burst from my sockets
onto the floor
with 10 000 ringing keys marbles silver knives

black men have it easy you said

the worst crime you could commit
is being ugly
and loveing someone attractive

said the butterfly

and the toad answered

the worst crime you could commit
is being beautiful
and being disgusted
with the ugly ones who love you

that’s why i walked
and i walked
and i walked
and i walked
and i walked
and i walked
(its important to read every line in this case)
not until i was dead but until the
sun’s concrete mud
devoid of scraggly gray weeds
turned my feet
my bare solemn feet
into stone
into stone
into stones
that beat the breath from
that could take your spines
1 000 000 spines
your claws teeth unbearable heat
that made a path of of you

until i was ready

the waltzes
the 1 000 000 000 waltzes
i loved to dance
to waltz with you
with theodore roethke’s father
the happiness that each of the bruises you left
the glee of glancing

blows
oh father

so i finish
my love has drilled its way up your unsuspecting anus
and the liquid teeth
the billion liquid teeth
( i cheat so that i assure failure here)
race their scraping
gnawing
screaming way
up your intestines
to your throat
and burst out of your lungs
out of your throat
like
a last angry
heaving
cold breath

exasperation
nulls
everything

i
am
null
set
void

(cliche but yes so is desperation)

thank you
for not
caring

insert (favorite flavor or home town)

this poem should end with the imagery of pond scum
viscous dull green slime
on the edge of mud goo
that
flies accustomed to shit
would avoid

methane

end scene

paxon kale.

did i tell you that i piss rainbows?


i was white smoke
in an opium den
and he was the green absynthe
that killed flies
slithery green slime eels
filling his split and light filled cheek patches

and i saw
Zizek in a bear costume
zipper open
carving trotsky’s penis
on his sweaty chest
flies flies flies
thats when he smiled the grey dust death
of naked children
slathered held clean in old men’s tongues
that
scratchy
BITE BITE BITE fake fur
zizek
the tiny ridges of his teeth
scraping the anus
I LOVE YOU GRANDMA
he simpered into my ruined asshole
teeth chatter when i
metal taste aluminum paste
how many bodies…

have to pile up in front of
adam smith’s grave?

this smells so, that my nostrils hurt from the strain
he wore a bear costume
i remember that much
the absynthe might have beeen blue
like the shit they keep combs in
the eeeeels might have been
EARTHWORMS and i might have been one
but trotsky’s penis was looming above
everything that happened that night
and the whores were ugly UGLYUGLY

HEY MARQUIS DE SADE,
remmememeber i told you
i knew where GOD lived?
i’m going there soooon
i’m gonna carress god
right in the eye
do you
remember?
i love you
man.

it’s candytime!
i survived nothing
fuck i even slept in it
enough for disney cartoon fodder
emo whores
shhh.
it aint even make no
difference,
because
all i could think about those nights without sleep
was going to where the ONETRUEGOD
lives!

who cares about jesus or WINdsTHAT scrape
peopel form the earthATAHTAATHTTHAT
scrapes htem 
when i can smell
OURGod everyminuyet
i’m so close to knowing everyone 
how can you sleepeepsp
when
yiou contemplate ALLASMLALL
the boys

I DON”YT SLEEEEPS

scrape scrape scrape Scrape
frog skin
you know wht i mean?

(i’ll report when i get there angel)
you’ll be staring back at me won’t you
obama??

I try to piss rainbows every fucking minute
ANDERSON COOPERSSSS
vomits pure puritent suNSHINE
motherfucker
SUNSHINE
CHINCHILLAS
that is
I PISS RAINBOWS ADDNDNL::::::’[[[.
(thats my learning disability)
rhymes with whalespissing my heart
LITTERalllYYY
WWHALE DICKSSS

I PISS DID I i sayyy
I piss RAINBOWS

rainbows

a frog delivers a scroll message to you
in the sunshine glen
and the golden hour light makes every
tear drop on every grass blade glow
and the
smooth green
frog
wearing a cunt cap CUNT
lips his mustache scroll delivery
in his tiny sticky hand
to you

I PIUSSS RAINBOWS SSS
he murmurs
into your sleeping velvet
earsrsssss
ears
velvet lining
ears
black man velevets
velvet worms
ear lining

the tiny scroll is not a whale penis

not this time
this scene is too precious

did i tell you?

- paxon kale.

some things

for which poetry are inadequate

your eyes
the sound of my father crying when i told him that my mother had died
lust, real unrequitable lust
first orgasms
the way the wet earth smelled that day
that day
the shade under a certain tree in a certain heat
your voice when..
grapes


paxon kale.

tea.

you said
careful, tea is a delicate affair
one must be subtle
and gentle
and oh so careful
with the administration
of a cup of tea

oh no!, said i
you do not understand
tea
as i do
leave the stuff in the
steaming water

know the heat
and bitter flavor
of the tea
know that there is pain 
and discomfort of the senses
in tea
THAT can be pleasure.
know tea
know it for everything that it is
in complete
feel everything that tea
can give.

this
is how one should enjoy
a cup of tea.

you nodded politely.

you didnt invite me over for tea
again.

cunt.

paxon kale.

the end comes gradually

when one studies the history of ecology
one comes to the conclusion that progressively
we see less and less of what was once seen
of the wild
each generation sees fewer birds than the last
hears fewer songs in the forest
sees fewer flowers
hears fewer less intense song 
and buzz and insect din

each generation is ignorant of the intensity
experienced by the last one
so that the smallest victories
feel monumental
yet they cannot know what once was
because they have no way to
they havent asked
and so each generation lowers their expectations 
unknowingly
of what life in the wild might be
the intensity of song
and color and profusion

it is only by reading the naturalist
experience
of the past 
that they could come to know
but the great sadness of such knowledge
keeps us from even trying

to know how the sound of an
eastern forest at dawn
would have deafened you
and the flocks of birds
would have blackened the sky
to make you tremble

……….


i wonder
if men love now as they did
in such lost times?
would it destroy you to know 
such a loss
so much that you could not bear to live?
has love 
over time become less
beautiful and intense?
am i even capable now…
is all of this now artifice?
as in the past is was
perhaps vast and natural and
the expanse of it would have made you tremble
just to be in its vicinity?
is the love i feel
the love i have poured onto boys
the love i sponge from bucket on your skin…
a paltry pitiable thing?
compared to antediluvian rights
of love
the love men felt for each other
then?
am i capable of that
as they were?

……….

if you knew what we had lost
would you be able to keep going?

sometimes, i just lay down on the sidewalk and stare at the sun.

paxon kale.